CB
Bibliography
“2000-2009 - Bill Rolston.” 2014. Accessed May 31. http://billrolston.weebly.com/2000-2009.html.
2008, 14 November. 2014. “Mural to David Ervine Is Unveiled in Belfast.” BelfastTelegraph.co.uk. Accessed May 31. http://www.belfasttelegraph.co.uk/news/local-national/mural-to-david-ervine-is-unveiled-in-belfast-28454242.html.
“A Canvas on Every Corner - Northern Ireland’s Murals.” 2013. BBC, October 9, sec. BBC Arts & Culture. http://www.bbc.co.uk/arts/0/24465711.
“Belfast – Loyalist Mural on Mount Vernon Community House ‘prepared for Peace; Ready for War.” 2014. Accessed May 31. https://www.repository.cam.ac.uk/handle/1810/218712?show=full.
“Belfast Murals Video Showcase.” 2014. Accessed May 31. http://www.belfastmurals.com/.
Building Peace through the Arts - Re-Imaging Communities 2013. 2013. http://vimeo.com/60649924.
Bennett, Tony. 1995. The Birth of the Museum: History, Theory, Politics. Culture : Policies and Politics. London ; New York: Routledge.
“CAIN: Symbols - Symbols Used by Both Traditions in Northern Ireland.” 2014. Accessed June 1. http://cain.ulst.ac.uk/images/symbols/crosstrad.htm.
“CAIN: The Bogside Artists - Civil Rights Mural.” 2014. Accessed May 31. http://cain.ulst.ac.uk/bogsideartists/mural9/.
Chai, Barbara. 2013. “Vince Vaughn Film Explores Art Murals of Northern Ireland - Speakeasy - WSJ.” The Wall Street Journal Arts & Entertainment. June 1. http://blogs.wsj.com/speakeasy/2013/06/01/vince-vaughn-film-explores-art-murals-of-northern-ireland/.
“Civil Rights Mural.” 2014. Accessed May 31. http://ccdl.libraries.claremont.edu/cdm/compoundobject/collection/mni/id/816/rec/11.
Cohen, Daniel J. 2006. Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. Philadelphia: University of Pennsylvania Press.
Crooke, Elizabeth. 2001. “Confronting a Troubled History: Which Past in Northern Ireland?s Museums?” International Journal of Heritage Studies 7 (2): 119–36. doi:10.1080/13527250120060169. http://www.tandfonline.com/doi/abs/10.1080/13527250120060169.
———. 2005. “Dealing with the Past: Museums and Heritage in Northern Ireland and Cape Town, South Africa.” International Journal of Heritage Studies 11 (2): 131–42. doi:10.1080/13527250500070329. http://www.tandfonline.com/doi/abs/10.1080/13527250500070329.
———. 2010. “The Politics of Community Heritage: Motivations, Authority and Control.” International Journal of Heritage Studies 16 (1-2): 16–29. doi:10.1080/13527250903441705. http://www.tandfonline.com/doi/abs/10.1080/13527250903441705.
Din, Herminia. 2007. The Digital Museum: A Think Guide. Washington, DC: American Association of Museums.
Falk, John H. 1992. The Museum Experience. Washington, D.C: Whalesback Books.
“Geograph:: Mural, Falls Road, Belfast [3] (C) Rossographer.” 2014. Accessed May 31. http://www.geograph.ie/photo/802512.
grazia. 2009. Falls Road. http://www.flickr.com/photos/frizzetta/3506016396/.
Janes, Robert R. 2009. Museums in a Troubled World: Renewal, Irrelevance or Collapse? Museum Meanings. London ; New York: Routledge.
Hollis, Daniel Webster. 2001. The History of Ireland. The Greenwood Histories of the Modern Nations. Westport, Conn: Greenwood Press.
“mni02316 :: Murals of Northern Ireland.” 2014. Accessed May 31. http://ccdl.libraries.claremont.edu/cdm/compoundobject/collection/mni/id/2209/rec/17.
“mni02444 :: Murals of Northern Ireland.” 2014. Accessed June 1. http://ccdl.libraries.claremont.edu/cdm/compoundobject/collection/mni/id/2504/rec/9.
Morrison, Danny. 2011. “Thirty Years On, Bobby Sands’s Stature Has Only Grown.” The Guardian, May 5, sec. Comment is free. http://www.theguardian.com/commentisfree/2011/may/05/bobby-sands-1981-hunger-strikes.
“Murals of Northern Ireland.” 2014a. Accessed May 31. http://ccdl.libraries.claremont.edu/cdm/landingpage/collection/mni.
———. 2014b. Accessed May 31. http://ccdl.libraries.claremont.edu/cdm/landingpage/collection/mni.
“Northern Ireland--Murals, Graffiti, Marches, Protests.” 2014. Accessed May 31. http://people.ku.edu/~kconrad/murals.html.
“Painting from the Same Palette.” 2014. Accessed May 31. http://www.umass.edu/peacepsychology/special-events/painting-same-palette.
“Painting from the Same Palette » Historical Context.” 2014. Accessed May 31. http://mural.umasslegal.org/murals/historical-context/.
“Painting from the Same Palette » Joint Murals.” 2014a. Accessed May 31. http://mural.umasslegal.org/murals/joint-murals/.
———. 2014b. Accessed May 31. http://mural.umasslegal.org/murals/joint-murals/.
“Poppy | Extramural Activity | Page 2.” 2014. Accessed June 1. http://extramuralactivity.com/category/poppy/page/2/.
Rolston, B. 2010. “‘Trying to Reach the Future through the Past’: Murals and Memory in Northern Ireland.” Crime, Media, Culture 6 (3): 285–307. doi:10.1177/1741659010382335. http://cmc.sagepub.com/cgi/doi/10.1177/1741659010382335.
Rosenzweig, Roy. 2011. Clio Wired: The Future of the Past in the Digital Age. New York: Columbia University Press.
Serrell, Beverly. 1996. Exhibit Labels: An Interpretive Approach. Walnut Creek: Alta Mira Press.
“Speaking through Walls: Political Murals in Northern Ireland :: Claremont Discourse Lectures.” 2014. Accessed May 31. http://ccdl.libraries.claremont.edu/cdm/ref/collection/cdl/id/6.
“The Protestant Unionist Symbolic Landscape II.” 2014. Accessed May 31. http://cgge.aag.org/NationalIdentity1e/CaseStudy2_Landscapes_Oct09/CaseStudy2_Landscapes_Oct0911.html.
Vaugn, Valeri. 2012. Art of Conflict: The Murals of Northern Ireland. Documentary. Vince Vaughn and Dan Lebental Wild West Productions.
AlBAnnotated Bibliography
- 2000-2009 - Bill Rolston
Type |
Web Page |
URL |
|
Accessed |
Fri May 30 22:40:06 2014 |
Notes: Excellent personal blog of Bill Rolston. Blog contains valuable information concerning the murals of Northern Ireland.
- A canvas on every corner - Northern Ireland's murals
Type |
Newspaper Article |
URL |
|
Publication |
BBC |
Date |
2013/10/09 |
Section |
BBC Arts & Culture |
Accessed |
Fri May 30 22:38:07 2014 |
Notes: Newspaper article about the changing tide in murals in Northern Ireland.
- Art of Conflict: The Murals of Northern Ireland
Type |
Film |
Director |
Valeri Vaugn |
Date |
2012 |
Distributor |
Vince Vaughn and Dan Lebental Wild West Productions |
Running Time |
73 Minutes |
Language |
English |
Genre |
Documentary |
Notes: Excellent documentary on the murals of Northern Ireland.
- Belfast – Loyalist mural on Mount Vernon Community House ‘prepared for peace; ready for war
Type |
Web Page |
URL |
https://www.repository.cam.ac.uk/handle/1810/218712?show=full |
- Notes:
- 1997 Unionist/Loyalist mural depicts two armed paramilitaries. The paramilitaries are brandishing guns at the audience, and the image is accompanied by the slogan "Prepared for Peace, Ready for War." Also visible are the UVF, YCV and PAF emblems. This mural has been moved, and repainted to a more visible location in 2004.
- Belfast Murals Video showcase
Type |
Web Page |
URL |
|
Accessed |
Fri May 30 22:39:57 2014 |
Notes: Belfast Murals Video showcase
- CAIN: Symbols - Symbols Used by Both Traditions in Northern Ireland
Type |
Web Page |
URL |
|
Accessed |
Sun Jun 1 13:51:23 2014 |
Notes: CAIN: Symbols - Symbols Used by Both Traditions in Northern Ireland. Repository of images.
- CAIN: the bogside artists - civil rights mural
Type |
Web Page |
URL |
|
Accessed |
Fri May 30 22:39:12 2014 |
Notes:Civil Rights mural painted in 2004 by a group known as the Bogside Artists. It is located on Rossville Street in Derry. The mural depicts a civil rights march for democratic rights in the 1960's. A march such as this took place on October 5th, 1968 and resulted in bloodshed. William Kelley, a Bogside Artist, states that "our intention was to describe it as it was, a happy, almost festive occasion conducted by people who were content that they were standing up, at long last against prolonged injustice. these early marches were inspired by the civil disobedience campaigns of Martin Luther King." The civil rights movement of the 1960's impacted both the Protestant and Catholic communities.
- Civil Rights Mural
Type |
Web Page |
URL |
http://ccdl.libraries.claremont.edu/cdm/compoundobject/collection/mni/id/816/rec/11 |
Accessed |
Sat May 31 09:49:58 2014 |
Short Title |
mni01863 |
Notes: Snapshot
- Clio wired: the future of the past in the digital age
Type |
Book |
Author |
Roy Rosenzweig |
Place |
New York |
Publisher |
Columbia University Press |
ISBN |
9780231150866 |
Date |
2011 |
Call Number |
D16.117 .R67 2011 |
Library Catalog |
Library of Congress ISBN |
Short Title |
Clio wired |
# of Pages |
309 |
Notes:A collection of essays gathered by Roy Rosenzweig, Clio Wired, attempts to find a middle ground for humanities and technology. Despite many early critics of the Internet, Rosenzweig has forged new uses for technology in the work of historians. Rosenzweig offers a compelling argument for the use of documents linked via hypertext, mixed media, and open access. Certain that the Internet can be a forum for open debate and research for historians: Rosenzweig ties the purpose for this new technology to the foundations of academia. An admission of the deficiencies of technology is addressed, with a focus on false information and lies. Zealots such as Ted Turner and his Xanadu are examined. The late Roy Rosenzweig was a professor, author, and founder of the Center for History and New Media at George Mason University, and guru of the bibliographic program Zotero. Daniel Cohen follows him in his work. In his essay, “Scarcity or Abundance? Preserving the Past,” Rosenzweig states his position of advocacy thusly, “if we hope to preserve the present for the future, then the technical problems facing digital preservation as well as the social and political questions about authenticity, ownership, and preservation policy need to be confronted now.” (Page 13)
- Confronting a Troubled History: which past in Northern Ireland?s museums?
Type |
Journal Article |
Author |
Elizabeth Crooke |
URL |
http://www.tandfonline.com/doi/abs/10.1080/13527250120060169 |
Volume |
7 |
Issue |
2 |
Pages |
119-136 |
Publication |
International Journal of Heritage Studies |
ISSN |
1352-7258, 1470-3610 |
Date |
01/2001 |
DOI |
|
Short Title |
Confronting a Troubled History |
Notes: Elizabeth Crooke, author and professor, has examined the history of museums in Ireland and in Northern Ireland. She has participated in numerous dialogues concerning the role of Social Inclusion in the UK. Her perspective on the purpose of Social Inclusion and the role of museums in society is explained in her many writings. In this article, titled “Confronting a Troubled History: which past in Northern Ireland’s Museums?” for the International Journal of Heritage Studies, Crooke investigates the approaches museums have taken to present the Troubles. Crooke uncovers possible reasons for the creation of exhibits that attempt to sanitize this violent period in Northern Ireland’s history. Several exhibits of earlier contested history such as the potato famine lay the groundwork for Crooke’s study. She concludes with a short, but provocative section on the future of museums in Northern Ireland.
- Dealing with the past: Museums and heritage in Northern Ireland and Cape Town, South Africa
Type |
Journal Article |
Author |
Elizabeth Crooke |
URL |
http://www.tandfonline.com/doi/abs/10.1080/13527250500070329 |
Volume |
11 |
Issue |
2 |
Pages |
131-142 |
Publication |
International Journal of Heritage Studies |
ISSN |
1352-7258, 1470-3610 |
Date |
01/2005 |
DOI |
|
Accessed |
Wed Feb 13 11:17:24 2013 |
Library Catalog |
CrossRef |
Short Title |
Dealing with the past |
Notes: Elizabeth Crooke, author and professor, builds on her earlier writings concerning Northern Ireland in this article, “Dealing with the Past: Museums and Heritage in Northern Ireland and Cape Town, South Africa.” This article was also written for the International Journal of Heritage Studies. Crooke continues to examine the role of museums in the co-creation of heritage with communities. Again, she focuses on communities with deep divisions and a violent history.
- Digital history: a guide to gathering, preserving, and presenting the past on the Web
Type |
Book |
Author |
Daniel J. Cohen |
Contributor |
Roy Rosenzweig |
Place |
Philadelphia |
Publisher |
University of Pennsylvania Press |
ISBN |
9780812219234 |
Date |
2006 |
Call Number |
D16.117 .C64 2006 |
Library Catalog |
Library of Congress ISBN |
Short Title |
Digital history |
# of Pages |
316 |
Notes: Daniel Cohen, author and professor of history and art history at George Mason University, co-authors this book with Roy Rosenzweig. Cohen, the director of the Center for History and New Media, follows Rosenzweig in preaching to the brethren of historians who have yet to discover the multitude of uses of the Internet for their work. This book, written by historians for historians, is an explanatory guide to the use of the Internet. Unlike the genre of technical books built with numerous screen shots, this book has a provocative nature infused into the text heavy sections. The reader is not only urged to try these new technologies, but to understand why they are important to the work of historians.
- Exhibit labels: an interpretive approach
Type |
Book |
Author |
Beverly Serrell |
Place |
Walnut Creek |
Publisher |
Alta Mira Press |
ISBN |
0761991743 |
Date |
1996 |
Call Number |
AM157 .S46 1996 |
Library Catalog |
Library of Congress ISBN |
Short Title |
Exhibit labels |
# of Pages |
261 |
Notes: An excellent primer on Exhibit Labels.
- Falls Road
Type |
Artwork |
Artist |
grazia |
URL |
|
Date |
2009-04-29 |
Accessed |
Tue Jul 30 11:16:42 2013 |
Library Catalog |
Flickr |
Notes: image
Geograph:: Mural, Falls Road, Belfast [3] (C) Rossographer
Type |
Web Page |
URL |
|
Accessed |
Sat May 31 11:01:36 2014 |
Abstract |
Another mural on the 'International Wall' this mural is perhaps unique in the history of Belfast murals in that it was a collaboration between political activists from across the religious / sectarian divide. It features... more |
Short Title |
Geograph |
Notes: Snapshot
- mni02316 :: Murals of Northern Ireland
Type |
Web Page |
URL |
http://ccdl.libraries.claremont.edu/cdm/compoundobject/collection/mni/id/2209/rec/17 |
Accessed |
Sat May 31 09:37:06 2014 |
Short Title |
mni02316 |
Notes: Snapshot
- mni02444 :: Murals of Northern Ireland
Type |
Web Page |
URL |
http://ccdl.libraries.claremont.edu/cdm/compoundobject/collection/mni/id/2504/rec/9 |
Accessed |
Sun Jun 1 13:33:31 2014 |
Short Title |
mni02444 |
Notes: Snapshot
- Mural to David Ervine is unveiled in Belfast
Type |
Web Page |
Author |
14 November 2008 |
URL |
|
Accessed |
Sat May 31 09:14:55 2014 |
Abstract |
First Minister Peter Robinson was today due to unveil a mural in tribute to the late PUP leader David Ervine. |
Website Title |
BelfastTelegraph.co.uk |
Notes: Mural painted in 2008 to honour the late David Ervine. Ervine, a prominent protestant unionist, was a member of the Ulster Volunteer Force (UVF) and leader of the Progressive Unionist Party (PUP). Ervine was a key figure in the loyalist ceasefire of 1994, a predecessor of the Good Friday Agreement of 1998.
The mural depicts David Ervine, and displays the famous quote, "Those who forget the past are condemned to repeat it." There is a sculpture of an empty chair by bronze artist Ross Wilson placed in front of the mural.
- Murals of Northern Ireland
Type |
Web Page |
URL |
http://ccdl.libraries.claremont.edu/cdm/landingpage/collection/mni |
Notes: Snapshot
- Murals of Northern Ireland
Type |
Web Page |
URL |
http://ccdl.libraries.claremont.edu/cdm/landingpage/collection/mni |
Accessed |
Fri May 30 22:40:31 2014 |
Notes: Image Repository
- Museums in a troubled world: renewal, irrelevance or collapse?
Type |
Book |
Author |
Robert R. Janes |
Series |
Museum meanings |
Place |
London ; New York |
Publisher |
Routledge |
ISBN |
9780415463003 |
Date |
2009 |
Call Number |
AM7 .J36 2009 |
Library Catalog |
Library of Congress ISBN |
Short Title |
Museums in a troubled world |
# of Pages |
208 |
Notes: Robert Janes, Editor-in-Chief of the Museum Management and Curatorship delves into an intense dialogue concerning the purpose of museums in today’s society. His emphasis is placed on the responsibility of the museum to generate change and heal the woes of society. Unafraid of provoking the realm of museum practitioners, Janes reveals the misdeeds of museums throughout the world. He explores issues of diversity, stewardship, ownership and the elitism of the modern museum.
- Northern Ireland--Murals, Graffiti, Marches, Protests
Type |
Web Page |
URL |
|
Accessed |
Fri May 30 22:40:15 2014 |
Notes: Northern Ireland--Murals, Graffiti, Marches, Protests
- Painting from the Same Palette
Type |
Web Page |
URL |
http://www.umass.edu/peacepsychology/special-events/painting-same-palette |
Accessed |
Sat May 31 10:06:18 2014 |
Notes: Snapshot
- Painting from the Same Palette » Historical Context
Type |
Blog Post |
URL |
|
Accessed |
Sat May 31 09:13:22 2014 |
Notes: Historical backdrop of political murals in Northern Ireland in the Artists’ own words.
- Painting from the Same Palette » Joint Murals
Type |
Blog Post |
URL |
|
Accessed |
Sat May 31 09:01:16 2014 |
Notes: Pablo Picasso's "Guernica" is reinvisioned by Republican muralist Danny Devenny and Loyalist muralist Mark Ervine. Ervine is the son of the late Unionist politician David Ervine. Devenny is a former member of the Irish Republican Army (IRA) and prisoner during the Troubles. The anti-facism and anti-violence mural was painted in 2007 as a joint venture between Protestant and Catholic artists. It is the first of several such joint murals painted by Ervine and Devenny whose works are now called "Painting from the Same Pallette."
- Painting from the Same Palette » Joint Murals
Type |
Blog Post |
URL |
|
Accessed |
Sat May 31 09:11:41 2014 |
Notes:"Painting from the Same Palette," is a mural in the series of the same name by artists Danny Devenny and Mark Ervine. Devenny is a prominent Republican, former IRA prisoner and Catholic muralist. Ervine is also a well-known artist, and son of the late Unionist politician David Ervine. The mural was painted in 2008 to mark the tenth anniversary of the Good Friday Agreement and the decade of peace.
The mural depicts an artist painting with the colours of both Protestant Unionists and Catholic Loyalists. The colours are arrayed in a spectrum upon the same palette. Images in the background of the mural display the violence of the Troubles, while children carrying banners in the foreground lead a cheer for peace. The banners have two slogans "History is a Rearview Mirror" and "You must always check your back unless you keep focused on the road ahead You're Going Nowhere!"
- poppy | Extramural Activity | Page 2
Type |
Blog Post |
URL |
|
Accessed |
Sun Jun 1 13:21:32 2014 |
Notes: Snapshot
- Speaking through walls: political murals in Northern Ireland :: Claremont Discourse Lectures
Type |
Web Page |
URL |
http://ccdl.libraries.claremont.edu/cdm/ref/collection/cdl/id/6 |
Accessed |
Fri May 30 22:37:31 2014 |
Short Title |
Speaking through walls |
Notes: Snapshot
- The birth of the museum: history, theory, politics
Type |
Book |
Author |
Tony Bennett |
Series |
Culture : policies and politics |
Place |
London ; New York |
Publisher |
Routledge |
ISBN |
0415053870 |
Date |
1995 |
Call Number |
AM7 .B39 1995 |
Library Catalog |
Library of Congress ISBN |
Short Title |
The birth of the museum |
# of Pages |
278 |
Notes: Tony Bennett’s The Birth of the Museum: history, theory, politics is an in-depth look at the historical and cultural framework of the modern western museum.
Bennett sees museums as part of western government’s attempts to civilize the lower classes of society. The ‘birth’ of the modern western museum began when museums transitioned from being the elite’s display of power to being servant of morality. Bennett likens museums to prisons and penal colonies, with their main purpose being the betterment of society by the improvement of the i